De 90's

[Stephen Graham]

vond ik altijd wel een coole dude die leadzanger

 

[Corleoné]

 

[Stephen Graham]

UK Garage

 

[Corleoné]

 

[Stephen Graham]

Sharleen

 

[Stephen Graham]

 

[Corleoné]

 

[Stephen Graham]

beste nummer van de Spice Girls

 

[Corleoné]

 

[Corleoné]

beste nummer van de Spice Girls

Idd, met voorsprong. 'Set Your Spirit Free, It's The Only Way To Be'

& Nu ik de clip terugzie weet ik weer waarom ik zo ongelooflijk dol was op Posh-spice.

 

[Corleoné]

 

[Corleoné]

 

[Corleoné]

 

[Stephen Graham]

tymboo

 

[tymboo]

Rip

 

[Arminius]

Mijns inziens, is Innuendo het beste Queen album allertijden.

Daarbij komt dat Made in Heaven eigenlijk een min of meer verkapte sequel is.


The album was recorded in a much different way from Queen's other studio albums. In early 1991, having completed work on Innuendo, and some months before his death, Freddie Mercury recorded as many vocals as he could, with the instruction to the rest of the band (Brian May, Roger Taylor, and John Deacon) to complete the songs later. Put to tape during this time were primarily "A Winter's Tale", "Mother Love" and what would eventually become "You Don't Fool Me".

In the documentary Champions of the World, May described these sessions with Mercury as such:

By the time we were recording these other tracks after Innuendo, we had had the discussions and we knew that we were totally on borrowed time because Freddie had been told that he would not make it to that point. I think our plan was to go in there whenever Freddie felt well enough, just to make as much use of him as possible, we basically lived in the studio for a while and when he would call and say, 'I can come in for a few hours', our plan was to just make as much use of him as we could, you know he told us, 'Get me to sing anything, write me anything and I will sing it and I will leave you as much as I possibly can.'​

Producer David Richards also added:

The thing that was really unusual about these last songs they recorded was that Freddie insisted on doing final vocals. Normally he had always wanted to wait until all the music was completed before he would put his final vocal on. There must have been a reason for this, I think he felt there wasn’t enough time to have it completed in time. Which also means that he definitely wanted these things to be released, there’s simply no other reason why he would have done that.​

After Mercury's death, the band returned to the studio in 1993 to begin work finishing the tracks. May has described in interviews that Taylor and Deacon had begun some work in 1992, while May was on tour promoting his Back to the Light album. Upon his return in 1993, May felt they were not on the right path with the music and they more or less started from scratch with the three of them working together with producer David Richards.

With less than an album's worth to work with, the band decided to revisit previously recorded material. The band did not discuss whether Mercury had any input before his death regarding which songs might be considered. The idea was to take existing songs on which Mercury sang and rework them as Queen songs.

In 2013, Brian May said about the album Made in Heaven was possibly the best Queen album we ever made. It has so much beauty in it. It was a long, long process, painstakingly put together. A real labour of love."[2]

 

[Stephen Graham]

 

[Stephen Graham]

Mijns inziens, is Innuendo het beste Queen album allertijden.

Bekijk bijlage 557423


Daarbij komt dat Made in Heaven eigenlijk een min of meer verkapte sequel is.


The album was recorded in a much different way from Queen's other studio albums. In early 1991, having completed work on Innuendo, and some months before his death, Freddie Mercury recorded as many vocals as he could, with the instruction to the rest of the band (Brian May, Roger Taylor, and John Deacon) to complete the songs later. Put to tape during this time were primarily "A Winter's Tale", "Mother Love" and what would eventually become "You Don't Fool Me".

In the documentary Champions of the World, May described these sessions with Mercury as such:

By the time we were recording these other tracks after Innuendo, we had had the discussions and we knew that we were totally on borrowed time because Freddie had been told that he would not make it to that point. I think our plan was to go in there whenever Freddie felt well enough, just to make as much use of him as possible, we basically lived in the studio for a while and when he would call and say, 'I can come in for a few hours', our plan was to just make as much use of him as we could, you know he told us, 'Get me to sing anything, write me anything and I will sing it and I will leave you as much as I possibly can.'​

Producer David Richards also added:

The thing that was really unusual about these last songs they recorded was that Freddie insisted on doing final vocals. Normally he had always wanted to wait until all the music was completed before he would put his final vocal on. There must have been a reason for this, I think he felt there wasn’t enough time to have it completed in time. Which also means that he definitely wanted these things to be released, there’s simply no other reason why he would have done that.​

After Mercury's death, the band returned to the studio in 1993 to begin work finishing the tracks. May has described in interviews that Taylor and Deacon had begun some work in 1992, while May was on tour promoting his Back to the Light album. Upon his return in 1993, May felt they were not on the right path with the music and they more or less started from scratch with the three of them working together with producer David Richards.

With less than an album's worth to work with, the band decided to revisit previously recorded material. The band did not discuss whether Mercury had any input before his death regarding which songs might be considered. The idea was to take existing songs on which Mercury sang and rework them as Queen songs.

In 2013, Brian May said about the album Made in Heaven was possibly the best Queen album we ever made. It has so much beauty in it. It was a long, long process, painstakingly put together. A real labour of love."[2]

You should play Skynyrd!

 

[Corleoné]

 

[Corleoné]